1920s Arts and Crafts garden returns to its heyday as five year restoration is completed at Standen

A five year restoration project at one of the country’s most important Arts and Crafts gardens has been completed at the National Trust’s Standen in West Sussex.

The impressive house at Standen, with its breath-taking views over the High Weald and Weir Wood Reservoir, was designed for James Beale and his family in the late 19th century by leading Arts and Crafts architect Philip Webb.

The 12 acre hillside garden, however, was designed by Beale’s wife Margaret and saw its heyday in the 1920s. An accomplished gardener and plants-woman, Margaret was inspired by a world tour in 1906-07 and created a series of outdoor rooms at Standen, including a scented rose garden – the Rosery – and a lime tree walk, along with more exotic areas with bamboo, ponds and lush foliage.

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Espaliered apple tree in the restored Kitchen Garden (C) National Trust Images/Andrew Butler

Over ten years ago, a group of volunteers discovered the Beale family swimming pond while clearing out some overgrown bamboo in part of the garden. Following extensive research, the garden revival project began in 2012 and is one of the biggest that the conservation charity has undertaken.

 

James Masters, head gardener at Standen explains: “In the latter part of the 20th century, Standen’s gardens saw alterations and replanting which covered or removed some of the original features. When I was first investigating the undergrowth in areas of the gardens I realised there was much more than met the eye.

“Over the years our discoveries have included lost walls, a rock garden and rare and unusual plants all overgrown by the vigorous modern planting that had masked the original beauty of Margaret Beale’s design. So we were lucky to have a wealth of archive material that has helped us research how it would have looked, ranging from family photographs, maps and receipts, to Margaret’s garden diaries which she kept for over 40 years. These have enabled us to piece it together and bring the garden back to its best.”

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The Courtyard (C) National Trust images/Andrew Butler

Among the garden features that have been restored are:

 

  • The original swimming pond and rose garden growing Margaret Beale’s coveted China pink roses.
  • A fine oak trellis rebuilt to the original design by Philip Webb. Trellis is a feature in one of Arts and Crafts designer William Morris’ wallpaper designs which is used in the house.
  • Lime trees reinstated along Grandfather’s walk.
  • 10,000 tulips including rare varieties
  • The kitchen garden and the original espaliered apple trees.
  • New views opened from the top terrace across to the Ashdown Forest.
  • New Arts & Crafts inspired planting in the house courtyard.
  • The medieval quarry face revealed alongside the drive, which inspired the Beales to build Standen in this location.

The £500,000 funding for the restoration project included generous legacies to the Trust for the purpose of garden projects and properties in Sussex.

James Masters adds: “I look back at photographs from before we started the restoration to remind myself of the remarkable changes the team of staff and volunteers has made since then. We have worked so hard to do justice to this lovely lost garden and make it shine again and I hope our visitors will enjoy discovering something new down every path and around each corner.”

A new exhibition about the garden and its revival will be taking place in the house from 6 May to 3 September and will include many of Margaret Beale’s original documents that were used for the restoration. A tulip festival is also taking place and a midsummer celebration will include talks, teas and tours from 1 June.

For more information and opening times visit www.nationaltrust.org.uk/standen

 

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National Trust statement: Car parking at our countryside and coastal locations

Our 4.7 million members continue to park for free.  Non-members have been charged to park at many of our countryside and coastal locations for some time. 

 

Over the past two years we have been gradually introducing pay and display machines at car parks with over 25 spaces, replacing the ‘person in a hut’ and donation box models.

 

The money we raise helps us look after the coast, countryside and footpaths that we would otherwise not be able to do.

 

Special arrangements have been made at Levant for the descendants of people killed in the mine disaster to park for free.

 

Funds raised from car parking will be used to maintain and improve car park facilities, help with footpath repairs, marking out new pathways to improve access and further aid visitor enjoyment and funding conservation projects to encourage wildlife. 

 

Charges will vary depending on location and the average car park fee will be £1 an hour and up to £5 for a whole day. 

 

We want people to visit and enjoy the special places in our care and we need to get the basics right in terms of providing good facilities while balancing this with caring for the surrounding countryside and wildlife, and in the face of rising conservation costs. 

 

As Britain’s largest conservation charity, the National Trust cares for over 250,000 hectares of countryside and 775 miles of coastline around England, Wales and Northern Ireland.  Over 200 million visits are made every year to our countryside and coastline putting increasing pressure on the landscape and facilities. 

Rare chance to see Grayson Perry tapestry at Castle Drogo in Devon

A rare chance to see a vibrant tapestry by artist Grayson Perry, created for his popular Tomb of the Unknown Craftsman exhibition at The British Museum, will be on display at the National Trust’s Castle Drogo in Devon from Monday 7th March.

The 15ft wide Map of Truths and Beliefs, created by Perry in 2011, will be part of the new Truth and Triomphe exhibition at the castle. Perry’s tapestry will be hung alongside a French masterpiece, the 300 year old Char de Triomphe, made for King Louis XIV and believed to have hung in the Palace of Versailles during his reign.

Conservationists at The National Trust's Castle Drogo, Devon hanging a vibrant tapestry by artist Grayson Perry, created for his popular Tomb of the Unknown Craftsman exhibition at The British Museum, is set to be displayed at Castle Drogo which is on loan from a private collector.

Conservationists at the National Trust’s Castle Drogo, Devon hanging a vibrant tapestry by artist Grayson Perry. Credit National Trust images/Steven Haywood.

The exhibition is providing a rare opportunity for members of the public to compare and contrast the historic and contemporary methods, symbolism and making of both tapestries. Continue reading

Trust welcomes record numbers of visitors

We welcomed record numbers of visitors to our houses and gardens last year (21m), up 4% on the previous year. An estimated 200m visits were also made to our countryside and coast locations. Interest remains as high as ever.

Our latest membership scores also show satisfaction is at an all-time high. And our membership has grown to over 4.2m members.

The overall proportion of visitors rating their experience of the Trust as either ‘enjoyable’ or ‘very enjoyable is 96%. This reflects very high levels of satisfaction and is broadly in line with previous years.

The picture is very positive and we’re proud more people than ever before are visiting our special places and supporting our charity.

But we recognise there is always room for improvement. We’re not complacent and as we outlined in our 10-year strategy earlier this year we know we need to do even more to engage with people and make our places relevant and inspiring to them.

The proportion of people rating their experience as ‘very enjoyable’ has fallen slightly to 60%, which is below the stretching target we set ourselves.

We believe there are a number of reasons for the fall.  We have developed a new system whereby members can provide feedback online . This has nearly doubled the number of visitor surveys we collect (some 170,000) so we now have a much more accurate picture than we have ever had before and know where we need to improve.

At peak times properties can get busy and this can have an impact on attaining the very highest enjoyment scores.

People’s tastes are changing and their expectations continue to grow. We’ll work harder to give our visitors experiences that are emotionally rewarding, intellectually stimulating and inspire them to support our cause. We will invest in major changes at our most visited houses to transform how we tell the story of why they matter.

We’re not standing still. Many properties are already finding new and imaginative ways to refresh their offer, and where we get it right the results have been spectacular both in terms of visitor numbers and enjoyment scores.

Our recreation of a First World War hospital at Dunham Massey made it to the final of this year’s Museum of the Year; our Mr.Turner exhibition at Petworth was a huge hit, and Fan Bay tunnels in Dover have consistently sold out of tickets every day since it opened earlier this year.

And we’re continuing to challenge perceptions and stir up debate, most recently on brutalist architecture.